From Past to Future in the Pit
One of the most popular explanations for the late unpleasantness in former
However, some events that occurred lately show that the line that separates “civilised”
One of those events is a TV movie Il cuore nel pozzo (Heart in the Pit), mini-series shown on RAI, Italian state-run television, few days ago.
The mini-series deals with one dark chapter of former Yugoslav WW2 history which was overshadowed by more spectacular and darker chapters that had occurred eastwards.
While most of ink (and, in 1990s, blood) was spilled over how many Serbs, Croats and Muslims got killed or exiled during WW2, there was and there is still very little talk about fate of some other ethnic groups. That includes Italians who bore the consequences of Italian defeat in WW2.
Prior to WW2, there was significant presence of ethnic Italians on eastern coast of Adriatic – which now comprise
When
However, there was another, even darker thing that happened in those times. In 1943-45 another word – “fojba” – became common word in local vocabularies. It means the “pit”, which is very common feature of local geography. For Croatian and Slovene Partisans it was very convenient way to dispose of Fascists, German collaborators and anyone they deemed “undesirable” in new
After WW2 any talk of “fojbas” was officially suppressed by Italian government, which wanted good relations with Tito’s
The only people who were carrying the torch for people killed in “fojbas” belonged to Italian far right. For them the story about “fojbas” grew into myth, very much like hard-line Serb nationalists used Jasenovac as a rallying cry for their cause. Until recently, Italian far-rightists were harmless and marginalised, but with the arrival of far right parties into Berlusconi’s government everything changed. “Fojbas” and everything else related to the traumatic loss of eastern territories became part of state-sanctioned history.
One example of that is a mini-series which, according to Croatian media reports, gives one-sided and simplistic portrayal of “fojbas” in a manner very similar to the way Serbian writers, filmmakers and intellectuals portrayed WW2 in late 1980s. The mini-series shows how, at the end of war, small Istrian town gets invaded by hordes of rampaging Slovenian partisans who round-up the inhabitants – all ethnic Italians – and then take them to the concentration camp where they would be subjected to beatings, rape and summary executions before mass disposal in “fojbas”. Not a word in the film was said about Fascism and events that preceded this dark chapter of history.
The mini-series created some sort of publicity in
I must admit that I was too busy to watch the mini-series. Those who did, however, say the same things that they had said about Jakov Sedlar’s Četverored (Cetverored), probably the most infamous film in the history of
One this film’s details is potentially disturbing. In his Summer 2004 interviews Bjelogrlić claims that he tried to talk the producers into replacing ethnicity of his character or at least some of the Partisans. He said that it would have been more realistic for some of the Partisans to be ethnic Croats. They refused and they stuck with Slovenian-only horde of murdering savages. Which is very peculiar, because
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